‘I Believe in the Future of Small Countries’ for Performatorium 10, Performance & Installation, Regina SK (2024)
Read More
1492: A New World View, titled after Sylvia Wynter’s essay, places Black NPCs at the center of a glitched Columbus monument. Collaborating with Guillaume Rogers of Artefactory, Woods-Morrow redirects corporate visualization tools to reveal monuments as unstable products of empire.
Read More
First exhibited in Open Structure at the University of Manitoba, curated by Grace Deveney, How do we memorialize an event that is still ongoing? (2022) sets two stained twin mattresses upright, trembling with the bass of Moneybagg Yo’s Me Vs Me. They compress like lungs, carrying histories of pleasure, grief, and exhaustion.
Read More
In There are other ways of remembering the past than by speaking of it (2023), a rusted bedframe, neon light, Atlantic ocean water, fragments from the Wendy’s where Rayshard Brooks was murdered, and (re) traced sunsets authored by martyr Tyre Nichols’ form a slow, glowing memorial.
Read More