Maroon/z is a living archive of fugitivity and desire. It bends the sacred and profane, tracing queer maroon histories through port cities and the digital ports of computers—sites where bodies, information, and spirits enter and exit. It asks: what if pleasure is an archive, what if survival is already insurgent?
Read More1492: A New World View, titled after Sylvia Wynter’s essay, places Black NPCs at the center of a glitched Columbus monument. Collaborating with Guillaume Rogers of Artefactory, Woods-Morrow redirects corporate visualization tools to reveal monuments as unstable products of empire.
Read MoreMuch Handled Things Are Always Soft (2019) traces the racial and systemic dynamics of cruising in 1970s Chicago. Featuring Patric McCoy, the film honors Black queer intimacies shaped by segregation, while its guerrilla monument and screenings—from MoMA to the cruising app JACK’D—extend visibility beyond museums, reaching over three million viewers.
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