My work reimagines Richard Prince’s Untitled, Cowboy through Black American cowboys, slowing cinema into stillness. In Good to me as I am to you (2022), sound, scent, and touch turn installation into a gathering place. Balloons, rugs, subwoofers, and Aretha’s voice hold slowness, pleasure, and maleness in suspension.
Read MoreIn There are other ways of remembering the past than by speaking of it (2023), a rusted bedframe, neon light, Atlantic ocean water, fragments from the Wendy’s where Rayshard Brooks was murdered, and (re) traced sunsets authored by martyr Tyre Nichols’ form a slow, glowing memorial.
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